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DIKOROSIA
# WHERE ARE YOU?

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Despite the fragility and uncertainty of our present, we originally intended the third issue of 'Dikorosia' to be about finding and shaping ideas that would help us think about our future.

 

However, as we approached the end of the open call, we realized that we had rushed things. We decided to take a step back and focus on the present. In order to plan for the future and be able to take responsibility for it, we need to ground ourselves in what’s happening to us right now.

 

So instead of asking:  "What can we do? What are the ideas behind our choices and actions?" In this issue, we decided to ask – "Where are you? In what spaces, relationships, states, and times?" 

We invited authors to look around and find something that is important to share. 
 

(Some works were submitted during the first open call, but found their place in the final issue).

polina b.

Alarming political agenda and daily anxieties got me feeling pretty worn out so this summer I decided to visit the warmest place I know, the place I’ve been missing with all my heart. Back in spring I made a decision to stay in Russia and was nursing the idea of becoming closer with my family and learning more about my roots so I could take care of the land of my ancestors. I was chasing after multiple projects and wanted to travel across Russia but in the end found myself in Kuban making glitch art using a tiny toy camera.

 

My whole body starts vibrating when I think about a small house on a strip of land in the South where I spent my childhood. I don't want to imagine my future without gardening and a big family of friends. Climate change used to be the only thing threatening my garden (the temperature is rising rapidly in the South), and now I can add a nuclear war to the list. I spent as much time as I could with my grandma and took pictures of decaying remnants of land where I was brought up by Soviet people and their patchwork of regional customs and traditions. As I grew older, my land and me grew farther and farther apart: I "betrayed" my family and moved to Moscow, and now as I'm trying to catch up with everything I missed out on my grandma starts gradually losing her memory. She tries not to watch the news. We spend our time doing meditative, grounding activities that our ancestors entertained themselves with. My grandma believes in people having kind hearts and in the thing she knows how to do best – looking after her land. I hope she never discovers anything about the war waged against the nation we have an ancestral connection to. I know I will be back to build myself a new life in Kuban.

Polina B.

violet

Violet I AM

There comes a moment when you look back at yourself from however many years ago and fail to recognize that person. Feels like it was just a moment ago. How things have changed. Who's the Past Me in relation to Today's Me?

 

I've got no answer to this question.

It feels like i don't exist. Nothing's left of me.

Lately, I've been turning back a lot. Like an old lady that flips through her memories, because it's way more interesting to walk through them (they're packed with many wild stories!), than along the streets of November Moscow.

I'm living in the past, it seems. The Past is dead.

The Present is imperceptible.

The Future is hazy.

In the end, I run off to the world of fantasy. I used to do this as a teen, when after yet another move I couldn’t find a place of my own – I didn't fit in. I disappeared. In books and my own head. The usual journey. At some point I merged with the idea of constant moving and that became my way to run away from problems. I thought I was free that way: I could be anyone, I could make friends, and whenever I got bored I just moved on. The road had become my home.

 

In February, I felt paralyzed.

I felt sick of the city I was in, the familiar feeling.

But for the first time ever I could not move – just kept looking for dumb excuses.

 

There weren't many of my old acquaintances left in Moscow for quite a bit. The last few left in the beginning of autumn. I had no energy to meet anyone new. The city felt so cold without my own people. It felt hostile.

 

This November is more grim than any past November I can remember. Sometimes it seems to me that Moscow's long gone. The world around, it would seem, should've collapsed a thousand times already - why are we still standing?

 

Have we always been surrounded by so much pain and suffering? Have we really just ignored it all?

Human catastrophes have always happened everywhere, never stopped happening.

The concentration camps in China, which seemed to be left in the 40s, still exist in this day and age.

 

I can't tell you how I feel about my past self. I just know that I used to get lost in my head in order to make up stories. I couldn't wait for the moment when I was home by myself, so that I could come up with the next plot twist. These days i get lost in it at night, when I'm alone in silence. I could no longer control the obsessive thoughts, they grew louder in a cacophonous choir – as if hell gates were opening. I wanted to scream.

 

I used to never turn around, used to be real. Now I'm lost. I was afraid to indulge in fear, but ended up burying myself in it. It's not so much the world I fear, I fear myself.

 

I can't scream – I'm out of breath.

kit

The war is...

weekly news roundups. what used to be bad is now boring, what used to be “good” is now absurd and sickening. TV shows, comedians, journalists, lectures, politicians, foreign agents - it all lumps together. coal wood chips lighter fluid napkin arson. ash. cigarette. the smell of burnt skin.

reviews of "16 and Pregnant" episodes turned into calls with military experts. call reviews. review reviews. panic. background. hell. semi-annual stream of dancing cameras. people hungry for spectacle. less bread, even more spectacle. nothing catches my eye. it means it no longer chases anything.

allies. enemies. opinions. lives. long-running soap opera thriller. vague goals obscure the truth. the plot is drowning in fear, anger, uncertainty, screams and pain. people take off human faces and chain themselves up. the crowd is faceless, mindless, obedient. Cerberus growls. the joy, the struggle, the plastic unity. life-affirming ad breaks. the same old channel. broken creaking chair. sleepy mumble. snore. squeak.

the faded dusty TV screen will spit me out at the train station. construction site construction site ditch fence "keep out, it will kill you" fence factory houses houses houses. prickly freedom over rectangles of buffed graffiti. is it what Malevich thought of it? art is in the peeling paint. in the fight for life. reckless faceless blind vain. think of yourself. think to yourself. shut up go away. God save us. save and forgive us for our weakness.

I smile back at the half-torn "no war" stickers on light posts and fences. they have more emotion than the smiles of the family on the billboard above. help to alcohol and drug addicts, loans with no interest, no documents, no deposits. morning. night. the city breathes nervously. assassinations arrests figures of death techniques of life.

a woman I don't know paid for my bus ride a week ago. she asked not to send her money back, but rather help somebody else. I sneak in a quick "thank you". Now there are just no other words to say. yellow grass trees summer war children wind scorching sun.

anastasiya armeeva

Anastasiya Armeeva

This piece is from a series of works about a person, toys and a bed. It was important for me to convey my experiences through these objects. 

 

A hiding person, beige mattress; rumpled sheets; a doll with glass eyes; birch twigs that cast a distinct shadow. Each subsequent object seemingly layers itself onto the previous one, absorbs and protects it.  

evgeniya mooleva

Evgeniya Mooleva NON-VERBALITY

One look around and it turns out I'm not really here. Shadows are the only things that remain. They are creeping around the passageways between Kaluzhsko-Rizhskaya and Koltsevaya metro lines. Shadows of coach buses, "Don't forget to validate your ticket on your way out." A shadow of an unfinished and unpublished article. I still have to edit the page of References for it so the format for the literature in English is up to Russian GOST standards and formulas are not randomly floating around the pages. Then I have to wait for the answer from a publisher. Articles written by Russians get rejected often these days (even the ones from the invited experts). It doesn't hurt my feelings.

 

The reason why it's happening is clear as day. 

 

The black and orange world growls and rumbles smothered in the crumbs of snow. I can neither slip away from it nor find myself within it. I'm carried from one passageway to another and then thrown into a field all white and icy but still a little ochreish. Just like the field I'm freezing up and getting covered in rime as well as passivity and indifference. Something sunny, light, and quiet is beating and ringing like a bell inside, something about life.

non-verbality

spineless we stand, waiting for a gust of wind

wind will blow and move

the sail

without a boat, without a place

a princess disguised as death

twists november flowers

into her braid

the ones that bloomed and didn't wilt

frozen in the meadow

swaying under the snow

dead bellflowers

reaching for the sun

yet don't remember where the sun is

through dark passageways

making our way out

a platform

an exit

closed for restoration

for reconstruction

of the previous century

the oprichnina or the empire, plenty of options to choose from

a bus ticket, please

just to have somewhere

to go

to see the scenery changing

huts, factories, fences

towers, swamps and soon

right through the pine trees

the sun will peek

Non-verbality now is anticipation

either dismal

or crystal

I twist my hair into a braid

stinging with cold

blooming red on the snow

they are melting, my dear, melting I say

the czarist ice caps

denis

Denis

this image came to me not so long ago – a light in the darkness of reality piercing through the hanging fog. a light that comes from the loved ones standing by my side (in both literal and metaphorical sense).

 

talking helps to clear the mind; it makes things easier. I think now it's more important than ever for us all to keep in touch and stick together, keeping each other from getting lost in the fog.

katerina moohina

Katerina Moohina STRETCHES OF TIME

I sit on my small radius and feel powerless and useless. I seems as if the only thing I can do is keep my eyes open. To keep them open, so they wet, dry and hurt. To take in the surrounding reality in two ways - as a laywoman who has adapted to horrors, and as an observer who always remembers that anything like this should never happen. I've become a collector, methodically collecting stretches of time. Here's my Kunstkamera.

 

Instagram Stories. I still swipe through them every morning. Someone's kitty, someone's read book, someone's short words on pain and fear they feel with sunbathing mnogoetazhkas in the background, military vehicles, weeping people, dead bodies, abandoned pets, bombed out buildings, new decrees that crack down on opposition and pull the black veil even further and then – someone's kitty again, someone's freshly watched movie, somebody's reflections written in white on black. 

 

Grandma's and grandpa's TVs. They have four TVs for two people living in a three bedroom apartment. The TV presenter from the government channel broadcasts in two voices, you can’t hide from his words even in a distant kitchen, he'll get you there, he'll declare – We're told that in Mariupol refugees are hiding in a factory, do you think that's true? Of course not, there's no one there except the military, we must give them their due though, they are the real masters of propaganda. 

 

Phone calls of our upstairs neighbor. Her daughter and her grandchildren live in Finland, that's all I know about her, even though I overhear bits of her life daily. She snores, asleep in front of the TV with a Soviet melodrama on. She bangs the doors of her closet. She treads across the room struggling with insomnia. She calls her husband with a piercing squeal - Kolya! Kolya! She states ruthlessly and categorically to someone on the phone – this boil had to be burst.

 

Z, omnipresent Z. It flickers on you in orange light from banners on metro stations, it shows it's grin on manhole covers, it crosses out peace signs on backyard walls, it taunts you from the New Balance logo, hides in the brand name of e-cigarettes. Take a peek at the keyboard – it's here also.

 

Friends worry about my safety. With an enthusiastic gleam in my eyes, I tell 'em I feel like a real writer when I put together texts about our horrendous reality, that I plan to write a book that'll investigate the phenomenon of post-memory with an anti-militaristic message. Friends reply – be careful, please. I make them promise they'll bring me care packages when I'm in jail. Somehow I don't feel even a slither of fear for my freedom. The voice doesn't care, it needs to speak out.

 

A comment from a Telegram channel my mother sent me. Someone (likely with a monocle rubbed to a shine and with a glass of red in his hand) argues that war is necessary for the capitalist world. I want to ask if he would say so if he were on the other side of the border. I don't ask. As long as you're in safety, you can justify any war crimes.

 

Newspaper in the metro car. Just lying there, left by someone right on the seat. It says – Special Operation: Breaking News. It's indignant – can we possibly stand our ground under the enemy's rabid propaganda. It echoes in agreement with the voice of an old woman next to me when I read aloud the title to my friend. It mentally argues with me to the point of hoarseness about the fact that "rabid" is the right word for professional journalism.

 

Map at the Moscow railway station. Blue, red and yellow dots, connected by black lines. See how many cities can be reached by train from St. Petersburg. I look at Mariupol, Kyiv, Mykolaiv, Donetsk, Kharkiv and Odesa in lacquered letters. I think that if my life was horror movie, this would be the very moment when the audience yells at the screen – Run, you fool!

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IF I WERE ULRIKE MEINHOF, I WOULD KNOW WHAT TO DO.

BUT I'M NO ULRIKE MEINHOF...

Today 1 

FEELINGS 

Near future, a month, six, a year, three... 

The future blurs turning into a smoke screen

 

a lump 

 

a slurry 

 

a thick grey cloud. 

 

Just like gray foggy November days, when due to the monotony of color you lose count of them, together with a sense of clarity of what's going on. 

 

This slurry is both short and infinite, as there's no duration in it. 

 

Past and Future have both have a sort of continuity, but the fog before me rips it apart. Allow me this vulgarity: "Fog Of War" seems to be too loud a name for such a swell and suspense.

Today 2

PERSONAL 

 

At the conceptual level, various survival strategies are activated. Perhaps, now I have the clearest understanding of ​​my life goals and objectives I've ever had. 

 

The paradox of such a murky yet clear situation is that the darker the political Present, the clearer personal values, priorities and goals become.

 

GENERAL 

If I were to talk about more general scenarios: either a radical upheaval will sweep across Russia, or a long painful decomposition of unfreedom will continue, devouring everything around.

 

Any future scenarios, however, crash into the “Now”, controlled by those in power. This is how the temporality of power (specific people I find disgusting ) grinds my personal time, turning it into a nasty, sticky, gray lump. 

The opposite is also true: one's time could be restored at the everyday routine level in the relentless resistance to entropy. I think this will be the symbol of my manifesto, my bet on the nearest future. 

I'd like to look at this endless "Now" from different angles: "Now" as a household version of the moment and abstract reflections on its nature, or "Now" as a general sociopolitical situation. I'd like to see it's colours, it's taste and shape, it's duration. I'd like to document it, I'd like to keep a diary on how it could be experienced at the phenomenal level.

Today 3

THE FUTURE 

I don't have any clear vision of the Future. Unfortunately, we all share this experience of uncertainty. Sometimes it's the only thing that uniting all of us. 

 

However, despite the total suspense and uncertainty, our future can be woven from distinct and clear actions taken in the present. All distant forecasts are going to be more or less unnecessary, because in times of crisis the situation can unfold very unexpectedly. So it makes sense to focus on what's right around the corner.

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svetlana radyuk

Svetlana Radyk NEVERNOWHERE

I thought I might never come back to this place. Never come to Russia ever again. But there I was crossing the border on some rental bus. I don't even remember going through passport control because I was asleep the whole time with my face leaned against the window. At the border checkpoint I opened my eyes just a little to pass my papers to somebody and then drifted back to sleep. The bus ride was over in a flash. The driver dropped me off at the corner of Varshavskoe Highway and Balaklavsky Avenue. 

 

Summer dust of a stifling Moscow morning immediately stuck to my skin. Sharp and dry it slips into my eyes and nose, leaves traces of black speckles on my skin, and gets into my lungs. Soon the heat and smog will trigger my asthma and make me gasp for air. Varshavskoe Highway roars as the traffic forms despite the early hour. It's only 7 am. I should get away from the highway before passing cars start pulling softened asphalt with their wheels and drag it behind.

 

I dial my parents' landline number from memory on my old push-button phone. My dad answers it after the third ring

 

"Hi, dad! It's me! I came home!"

 

"Hi," he murmurs and clears his throat to repeat the greeting once again, "Hi!"

 

"I'm at Balaklavka* and already on my way to Chertanovskaya metro station. Let's meet there? How much time do you need to get there?"

 

"Got you," he answers, and it’s a little out of place, "I'm on my way, meet you in 20 minutes. 30 minutes max."

 

"Great! I'll be waiting for you at the tram stop. Sounds good?

 

"Deal!" he says and hangs up.

 

He still hates talking on the phone. Maybe hates it even more now. He didn't ask me what I look like, what I'm wearing. How will he be able to recognize me? I know I will definitely recognize him.

 

My small backpack and I are making our way to the metro station. In my mind I list the places where I can buy a suitcase to pack the things I want to take from my parents' house. Nah, I don't need a suitcase. Buying a bunch of boxes seems like a better idea. I'll pack them and send them to my house. There are no guarantees that they will find their way to my house, but it's easier than dragging the luggage with me. Yeah, I'll use international delivery, that way I won't have to buy a suitcase. 

 

The neighborhood rises from the morning haze like a set from old movies, but it still looks familiar and I'm able to recognize some of the places. Here's the high school famous for their math program I failed to get into. A girl once lent me a book, it was Orwell's novel 1984. Here's the building she used to work at. That place is a hotel or maybe an office building even though it looks like a tower. Behind me are 8 lanes of Varshavskoe Highway. The first Moscow electronics warehouse store was opened right across it. No store shelves, only electronic catalogue displays. Your order arrives on a conveyor belt. In 2008, I bought a memory card for my camera there. The store was called Sunrise. Its sun set pretty quickly. The store was closed in a year. But the memory card I bought there still works. 

 

And here's the Chertanovskaya underground crossing. The first exit leads to tram tracks, the next one to the buses I can take to get to my parents' house, and after that a tunnel of stalls and kiosks that stretches up to the very entrance to the metro station. If you take the left exit, you'll get to an experimental housing project that is Severnoye Nichertanovo**. I used to love riding my bike around this neighborhood as a child. 

 

People are rushing to the metro station and diving into the slamming entrance doors. I, however, am in no hurry to get anywhere today. I don't have any places to be. I don't even live in this city anymore. Today I'm a mere tourist. I can stroll around and window-shop all day long. I remember Sobyanin*** tried to clear all the underground crossings from kiosks, but here they are still standing, no damage done. Knitwear, Books and Magazines, Pastries and Drinks, Stationeries, Cosmetics. Here I am staring at the stalls and imagining what I would buy–doing exactly what I used to do when I was a kid. Ugh, I would kill for a meat stuffed puff pastry right now! I don't have a dime in my pocket right now. Everything really is like when I was a kid.

 

I look at my watch but can't see what the numbers say. I just know that my dad isn't here yet. I'm thirsty. I pull a plastic bottle out of my backpack. It was with me the whole way from Reinickendorfer Straße to Chertanovskaya metro station. I take a sip. The water is awfully warm and tastes like plastic. It always happens when it's hot outside. 

 

I exit the underground crossing tunnel and head in the direction of the bus stop. This is the same path I used to take on my way from college: I waited for bus #189 to Dnepropetrovskaya Street but usually ended up taking a tram home even though the route from the tram stop to my house was longer. I did it because the bus I needed ran rarely.

 

I cross Chertanovskaya Street to get to the tram tracks and see a minibus arriving at the bus stop. The route card by the driver's windshield reads, "Simferopolsky Boulevard, Chongarskiy Boulevard, Kakhovskaya metro station, Sevastopolskaya metro station, Azovskaya Street, Chernomorskiy Boulevard." People have already gotten in, but the minibus isn't moving. The driver is waiting for more people to come. I stare at the faces of people in the minibus window. I remember the minibus windows being always dirty, even in summer. I can't recall ever seeing anything through them. But now I can see everything. 

 

Finally, the minibus starts with a sudden jerk that presses the passengers into the backs of their seats. I watch this happening, and it feels like a slow-motion scene in a disaster movie. I know that this particular movie always has a happy ending. Everyone survives and gets home safe and sound. I hear a long honk and a screech of the brakes. The minibus rocked on its springs and then stopped lunging its passengers forward. Some people hit the backs of the seats in front of them, others dropped their bags on the floor from their laps. I hear the drivers screaming at each other, then another screech of the wheels, and the car that hit the minibus was on its way, headlights intact, no dents, completely unscathed. Seconds later the minibus followed it.

 

In the distance I see a tram coming my way. I spotted it as soon as it crawled from around the corner where Chertanovskaya Street meets Sumskoy Drive. A round-faced yellow tram with a white roof is making its way downhill and now uphill again, slowly crawling towards the metro station. It stops. The tram has two cars and folding doors. My dad gets out of the second car. He has a bag in his hand. We hug awkwardly. Dad pulls away quickly as if he's in a rush to get somewhere. 

 

"Alright, let's go," he says and dives into the underground crossing entrance. 

 

He never has time for chatting or hugging, this one. He's always running somewhere. I follow him. I probably should share how my ride was, but my dad doesn't ask. I don't remember much of it anyway. 

 

We're making our way through a parking lot to what seems to be a big mall that replaced an old supermarket. I loved going there with my dad when I was a kid. We used to buy Korean carrot salad and beancurd sticks on the ground floor. He always let me eat it right from the bag. I am feeling hungry. I should suggest going somewhere to eat. I look around. Is there a cafe nearby? The scenery bends, twitches and changes like a hologram. Now all I can see is rich greenery and yellow dandelions scattered across the grass. The sunshine is blinding yet gentle. I feel as if I'm a child once again, and everybody treats me with kindness, even the sun. But it still makes me squint and lower my eyes. Old asphalt under my feet is speckled with bumps and cracks filled with sprouts of grass. There are lilac bushes on my right and a narrow path leading downhill. Wow, everything does look the same, exactly like it did in my childhood! And here's the supermarket. Some people are climbing the stairs just to disappear in its dark interior, others jump out of its doors and run down the stairs with the groceries all joyfull. I can see all the tiny square tiles on the front of the building. The windows of the ground floor are covered with faded posters for Coca-Cola, Fanta, and Iron Brew. I'm looking at the windows on the first floor. They seem very dark because the light outside is so bright. As I look closer I notice stocked shelves near the windows. I can even make out what they are stocked with: tetris toys, Transformers action figures. Seems like a toy aisle. Huh, I guess today is a Good Sight Day. Suddenly my whole body overflows with joy.

 

And then I immediately feel exhausted. The morning heat has completely worn me out. I'm starving, and there’s a long train ride to the countryside ahead. Thank god I have my dad with me. Just like when I was a kid, today I can rely on him knowing what station we should get off at to change to another metro line and just take a nap. The train is crowded and stuffy. It's incredibly uncomfortable to sit here and on top of that I have to hold the bags that threaten to burst at any second and scatter the groceries all over the floor. But here I am finally in our house, dying from exhaustion. I immediately get sent to bed even though the hour is not that late.

 

It's morning. I wake up in a place that doesn't look familiar. We didn't have this couch there before, did we? The kitchen looks different too. I remember it being on the terrace, not in the hall. My grandma is standing with her back to me and cooking breakfast. I don't want to distract her from her cooking so I leave the house and walk down the path to the backyard. Here I see a sawhorse with a long, thin stick on it. "Looks like an alder tree," I think to myself. "It's probably for the decking by the well." The old one has long rotted away. It's damp and swampy here. Without proper decking it's easy to get all bogged down in mud as soon as it starts raining. As my grandma has always said, "One scoop of a shovel and the water comes flooding from the ground". I've never seen this flooding groundwater anywhere, not even in the well. There's only dark murk glistening at the very bottom of it. I keep on walking past the garden to the well.

 

As far as I remember, my parents wanted to dig it further. Or maybe they wanted to do that to the other well? The one by the garden. I look inside it. There's a rusty pipe at the bottom of the well sticking out from the wall. An old rusty chair is leaning against it. The well has no water in it. The ground at the bottom is almost completely dry. As I look inside, a slobber of water drops from the pipe. As if someone just opened a valve and immediately closed it. Strange. Where is this water coming from? I look up from the well and stare at the distance. Right behind the fence there's a lake glistening in the sun. There used to be an alder grove and a stinky brook behind it that you could cross in one jump. In the spring the brook used to overflow and ducks swam in its waters manoeuvring through the trees. Now there's a lake. I can see its farther shore and our neighbor's fence. We're divided by the lake and its beautiful, smooth surface. So strange. Everything has changed so much while I was gone.

 

I go back to the garden where the herbs have already sprouted and the seedbeds are full of radish and carrot tops peeking from the ground. I see my dad squatting by the bush of dill, picking the sprigs for the salad. He's wearing cut-off jean shorts and a faded T-shirt. A "rustic look" as he would call it. My city clothes make me hot. I should follow my dad's example and change into my "rustic look". There should be a pair of old shorts and a stained T-shirt in some drawer inside the house. 

 

Dad starts whistling some tune that I recognize immediately. It's a song based on a poem by Andrei Voznesensky, my dad's favorite poet. The song is performed by Nikolai Gnatyuk who has a strong tenor voice. 

 

The drums were bad, the drummer was God

You were just like a ray of sunshine

Drum, drummer, drum.

Where did you go at such early hour

 

Without stopping his whistling he moved to another seedbed. I see him picking green onion sprigs. He has no trouble seeing each sprig without his glasses, just like the old times. Perhaps, it's because the sun is shining really bright today. Dad is so cheerful and peaceful today. I don't want to bring his mood down, but I have to ask him this.

 

"I've been waiting to ask you about Auntie Shura", I say. "How is she doing?"

 

I've been desperate to know since February, actually. Auntie Shura is an old friend of my parents. She's been living in Yalta all her life. For some reason, I didn't check up on her in 2014. Was she pro or against the annexation of Crimea? I just thought that if she and my parents were still talking, then she was pro-annexation just like they were. I didn't say anything then.

 

"Auntie Shura?" dad asks and then makes a long pause. "She's good. She's doing good. She's alright. She was planning on doing some home renovations with her son."

 

"Is she pro or against?" I ask, gathering all my strength for what might come next.

 

Dad continues picking the herbs. I see him move to the parsley bush next. He mumbles something and brings up some names I haven't heard before. I forget what they are immediately. “Larisa was pro and then she was against it, but Alena was against it at first, then she turned pro or, wait, maybe she didn't.” Who even are these women? Are they Auntie Shura's neighbors or maybe friends? They are not who I was asking about, I wanted to know Auntie Shura's opinion. But it's clear my dad doesn't want to talk about that. I quickly switchthe topic.

 

"Remind me again, how old are you?"

"Well, do the math," he says and heads to the old house with a bunch of herb sprigs in his hand. I hear him whistling another song. It's The Bird of Happiness by the same old Gnatuk.

 

I'm doing the math. Our new house is already built. But the old one is still here. It hasn't been demolished yet. It means that now it's somewhen between 1998 and 2002. So dad must be in his fifties. And I'm 35. We have less than 15 years between us. Someday I'll catch up with him.

 

I head back to the old house but can't find the entrance. It looks like they put the door somewhere else. I get into the main hall through the hut where my grandma is washing the dishes. Breakfast is ready. I remember grandma as a thin old lady in a faded, washed out robe, but today she's wearing a bright shirt, her back is wide and straight. She doesn't slouch. She used to tell me how tall and strong she was in her youth.

 

"Hi, granny," I say and lean to hug her from the back. I've never used the word "granny" before, but I felt a sudden urge to do it at the moment. I don't remember ever having the urge to hug her rough, meager frame either. But it's been 13 years since her funeral so I guess I’ve been missing her terribly.

 

Grandma says something sweet without turning away from her dishes. I don't want to bother her, so I leave without hugging her. I didn't even see her face. We're going to sit down for breakfast soon. I'll see her then. I need to call my parents down for breakfast. 

 

We should take a photo together. Where's my camera bag? I hope I didn't leave it somewhere on my way here. I head to the couch I was sleeping on. My bag is here on the nightstand. I pull my camera out and go to our new house passing the hut windows on my way. 

 

Everything around me is in full bloom. The white lilac bush has already gotten its flowers. The ordinary lilac bush will catch up with it in no time. The place it grows at is quite shady so its blooming always comes later than the other one's. But I can already see clusters of flowers here and there. Fresh raspberry shoots are covered by the fence boards. White phlox flowers in front of the raspberry bush are blooming as well. A round peony bud is so big that it's bent low to the ground by its own weight. Right by the hut windows grow blue and purple larkspurs. They are already taller than me. Bees are buzzing, and butterflies are fluttering around. It's very warm outside. The sun is already hanging high. I want to take a picture where the old hut's corner, the greenery and flowers as well as the sky are all in the frame. I want to capture the seedbeds in the foreground, a new house in the distance and an alder grove in the horizon. I need a wide-angle lens for that. I lost count of how many times I took the path from the old house to the new one. I've never noticed how beautiful the view is. I've never taken a single picture. 

 

I regret hardly ever visiting this place while I still lived in Moscow. It's so nice and quiet here. The air is fresh. No car noise, just birds singing. Coming here on weekends from Berlin would be pretty hard, wouldn't it? It would take flying to Russia, going through passport control, taking an aeroexpress train, then a train to Khoroshovo station, and finally a taxi to Prigozhevo village. Being here now is truly a blessing! How did I manage to get here? I myself have yet to figure it out. I think it's a miracle.

 

I'm standing by the lilac bush and watching my parents trying to get my bike on the top floor of the new house. The bike I keep on my balcony in Berlin. Mom is struggling. She and dad switch places. Now he's going to lift it from the bottom, and she's going to pull it from upstairs. I'm going to help them. I know my bike is not that heavy. I carry it up the stairs in Berlin in one hand.

 

I approach our new house, but suddenly my hands are full. One is holding a camera and the other a carton of juice. I should put the carton down on the bench before I go lend my parents a hand. But the bottom corner of the carton peeled off, and now it’s bent in another direction. I'm trying to put it down, but it keeps tilting and threatening to fall down and spill the juice all over the place. I bend the corner, but the carton still doesn't stand straight.  Stupid freaking juice! I keep trying to find the right position for it to stand straight, but it keeps falling again and again... And I wake up. 

 

I'm lying under a double winter comforter. It's so hot I can feel sweat running down my body. My hand that was fighting the juice carton just seconds ago is resting on my phone. Right, I turned off my alarm clock. It's 7 am already. I open my eyes and see a sliver of foggy Berlin morning and my bike on the balcony. It's Saturday. The courtyard is still quiet. I hear my dog sniffling and snorting on the rug by my bed. She must be dreaming too.

 

I haven't visited Russia in 6 years. I thought 2022 would be the year I finally do that. I would try to talk to my parents properly even though any understanding and affection has long been gone from our relationship. The reminders of them can only be found in my childhood memories. I wanted to visit our house in the countryside just to check if everything really changed as much as satellite images make it seem. But in February 2022 I realized I might never come back there. Transportation isn't the problem here. I was longing to visit the places I spent my childhood and teenage years at, but they no longer exist and remain only in my dreams.

 

I've been living in completely different settings of Berlin for the past 6 years, and I grew quite familiar with them. I have a lot of things on my agenda today: to have breakfast, to walk my dog, to create a poster for an anti-war rally in front of the Russian Embassy. My poster is gonna read "Decolonize Russia". The rally is at noon. The paint will need some time to dry. I get out of bed, give my dog a pet, and I am ready to start my day in the present, right here and right now.

*     Balaklavka – a slang version of Balaklavsky Avenue

**   Severnoye Nichertanovo is a play on words. Ни черта [ni cherta] means "absolute nothing", "jack shit", "fuck all". The            phrase can be roughly translated as "the neighborhood of absolute nothing"

*** Sergey Sobyanin is a Mayor of Moscow

roota lebedeva

To grow and cultivate – these are the seeds of peace

To be with all things living and to help it all.

To help! 

(to not be indifferent)

To grow into communities and nurture

Inclusivity with humus of cooperation

To sow connections between everyone, find new ways of hyphae-axons, cross-connections, strange, but possibly fertile combinations.

 

To give care and support. To engage in support duties — gardens, animals, living things — and become whole by embedding yourself into daily obligatory rituals. To study the other and it's worlds and to learn how to learn to care (you can make mistakes and ask questions).

 

To love.

 

I'm alive, I'm a part of this world and it all concerns me. There are living people around me. We need to act. We need to respond.

Roota Lebedeva

Иногда в реальности отключают свет

Kinship! Odd propinquities! Connections of connections!

Support of oneself and others.

To grow gardens to grow the greens and to overgrow with wild plants. To gift. 

To green and grow.

 

Gardens communities actions! Plants and animals intimacy and life.

To learn to communicate and work together where it all used to be separate in everything.

To grow in mental unity with others and to try to understand others and the other. To learn to walk on four six hundred legs of the community and to hug yourself with all hands.

To work, to speak, to create, to implement, to plant and sprout, creativity, to begin, even with tiny root-steps, sprouts. To germinate further the root system of the living every moment we have.

To create and plant once more. To grow.

 

To embrace the other. To love. To be together and bigger.

amina lipton

Amina Lipton

MANIFESTO OF AN ARTIST FROM THE AGGRESSOR STATE IN A TIME OF WAR

The present is fragile. The answers become irrelevant, the questions remain. I'm trying to figure out how to make art now. Art is about freedom, but it's important for me to keep my works appropriate in terms of ethics in a time of war. It's impossible to find a universal solution for every problem, but one can try to find a particular solution for each situation by asking themselves a series of questions. Russia manipulates its own law however it wants, so why shouldn't I join this game and play around Russian law a little? Instead of passing enabling or prohibiting acts I propose that everyone makes their own decisions and take responsibility for their actions

 

Article 1

Is it appropriate to make art when my country commits war crimes and bombs civilian infrastructure? 

 

  • Can we separate art from politics?

  • Should the political prevail over the artistic?

  • Will my refusing to engage with art become an act of protest or solidarity?

  • Will my protest art be more effective than silence and refusal to create?

 

Article 2

Am I allowed to make artworks disengaged from protesting against the current regime or the war?

 

  • Can my work be truly relevant if it's not persecuted by the current authorities?

 

Article 3

Am I allowed to present my works at international exhibitions if I'm an artist from the aggressor state?

 

  • How should I talk about the war and its victims if I’m from the aggressor state?

  • When is it appropriate to talk about repressions and problems within the aggressor state?

  • Is it okay to work with the establishments and people that take part in supporting the war?

  • Can we separate the artist from the aggressor state?

  • Is it necessary to mention an artist's connection to the aggressor state when talking about them in an international context?

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